Sep 30 2007
HIP-HOP GETS A BAD RAP
Hip–hop. Rap. To many, the sound conjures up images of street thugs, crime and illicit drugs.
But what, exactly, is this phenomenon all about? It’s the new “bonga-bonga” music that sends parents into a frenzy, thinking that their kids are going to be “infected” by it and turn into juvenile delinquents.
Ummm … pardon me, but … didn’t we hear something like that from our parents, so many years ago? A group of rowdy, musical kids calling themselves beetles or something was going to be the ruination of us all! Our folks had surely lost us to the grasp of the devil himself!
But wait a minute. Is this really something all that new?? I mean, back-in-the-day, we had guys like Ray Stevens rapping in something called Gitarzan, and, before that, there was Sheb Wooley’s That’s My Pa. Okay, maybe it was pretty much a country thing — this “spoken-word song” — for awhile, but, as far as the style goes, it’s not so new after all.
So let’s move on to the turntable mix. Simple, yes … but, then again, some kids in Liverpool took simple items like washboards, tea chests (they made basses from them), guitars and kazoos to play something called skiffle. CCR has the best description of that “Down On The Corner” music of any song. And as far as the synthetic loops used to make the background: it comes from the day when they didn’t have the money to pay for big backup, so they had to turn to what was available … and economic. Our generation would’ve done the same, had it been handy back then. (However, I believe it has been overdone a bit — especially with stars who now can afford more …)
Now … the lyrics. Of course, this is the sore point for most parents. When you look at what many of these singers had to go through as they were growing up (poverty, prejudice, domestic violence), you can see they needed an outlet for their emotions. Since actual thugging (criminal behavior) had serious legal consequences, they put it all in their music.
People, we can’t say it ain’t true. What’d we do in the late Sixties, with the ‘Nam, race riots, and inequality? We took it to the streets, and the Establishment would haul us into cells. So guys like Country Joe and the Fish, Electric Flag and others put this angst in their music.
Of course, like in our time, there were some that let that anger out in a hostile way beyond the stage and studios. That, however, is the exception, when you look at the performers in the genre as a whole.
More on this in the next blog …
CHECKIN’ IN WITH THE SKIN
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Click on the following link for the best in skin care products today … and start enjoying a more youthful tomorrow! You’ll be so glad you did!
Well, that’s it for this post. Remember, in our next one, we’ll continue the study into hip-hop, and why it’s gotten a bad rap. So, until then …
Keep your eyes on the skies, your feet on the ground, your heart with the music … and I’ll see ya on the flip side!










One of the first groups to break the racial barrier and become hitmakers in the Caucasian markets was The Supremes. (Sure, there were others, but they got the most airplay, initially). Their lead singer, Diana Ross, fronted the talented trio (the other two being Florence Ballard and Mary Wilson) and, eventually, had her name fronting the marquees. Still, their highly-emotive sound, backed with a driving rhythm section, made them one of the most requested American acts on radio! Their only rivals were the great Martha and The Vandellas (Dancin’ In The Street, Jimmy Mack).
Of course, we wouldn’t’ve had the Motown/Stax stampede at all were it not for the man they called “Soul Brother #1″ — the inimitable James Brown. Though Mr. Brown had almost single-handedly popularized the screaming soul sound years before, his act was new to many white audiences. However, by the time I Got You (I Feel Good) made the charts, his name was synonymous with the genre … thus giving him a new name: The Godfather of Soul.